Doo-wop is a genre of rhythm and blues music developed in the 1940s by African American youth, mainly in the large cities of the upper East Coast, including New York. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, ornamented with nonsense syllables, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Gaining popularity in the 1950s, doo-wop enjoyed its peak successes in the early 1960s, but continued to influence performers in other genres
The Chords' 1954 hit, "Sh-Boom," is considered to have been the first rhythm-and-blues record to break into the top ten on the Billboard charts, reaching #9; a few months later, a white group from Canada, the Crew Cuts, released their cover of the song, which reached #1. Quickly, other R&B vocal groups entered the pop charts, particularly in 1955, which saw such cross-over doo-wop hits as "Sincerely" by The Moonglows, "Earth Angel" by The Penguins, The Cadillacs "Gloria", The Heartbeats "A Thousand Miles Away", Shep & the Limelites "Daddy's Home", The Flamingos "I Only Have Eyes for You", The Jive Five "My True Story". Doo wop uptempo groups such as The Monotones" Book of Love", "Get a Job" by The Silhouettes, The Marcels " Blue Moon" got hits on Billboard chart. All-white doo-wop groups would appear and produce hits: The Mello-Kings in 1956 with "Tonight, Tonight," The Diamonds in 1957 with the chart-topping cover song "Little Darlin'(original song by AfroAmerican group)", The Skyliners in 1959 with "Since I Don't Have You", " The Tokens in 1961 wIn 1954, doo-wop groups played a significant role in ushering in the rock and roll era when two big rhythm and blues hits by vocal harmony groups, "Gee" by The Crows and "Sh-Boom" by The Chords, crossed over onto the pop music charts. "Only You" by pop group The Platters. The same year saw a number one pop chart hit, "The Great Pretender" by The Platters. In 1956, Frankie Lymon and The Teenagers appeared on the Frankie Laine show in New York, which was televised nationally, performing their hit "Why Do Fools Fall in Love?". Frankie Laine referred to it as "rock and roll"; Lymon's extreme youth appealed to a young and enthusiastic audience. His string of hits included: "I Promise to Remember", "The ABC's of Love" and "I'm Not a Juvenile Delinquent".
The peak of doo-wop might have been in the late 1950s. Early 1960s with the most notable hits being Dion's "Runaround Sue", "The Wanderer", "Lovers Who Wander" and "Ruby Baby" and The Marcels' "Blue Moon". There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. The genre reached the self-referential stage, with songs about the singers ("Mr. Bass Man" by Johnny Cymbal) and the songwriters ("Who Put the Bomp?" by Barry Mann), in 1961.ith "The Lion Sleeps Tonight".
Disc 1: Sh-Boom (1950 to 1954)
1-1 –Johnny Otis Quintette, The Robins, Little Esther - Double Crossing Blues
1-2 –The Four Buddies - I Will Wait
1-3 –The Dominoes - Sixty-Minute Man
1-4 –The Clovers - Don't You Know I Love You
1-5 –The Five Keys - The Glory Of Love
1-6 –The Clovers - Fool, Fool, Fool
1-7 –The Dominoes - Have Mercy Baby
1-8 –The Clovers - One Mint Julep
1-9 –The 5 Royales - Baby Don't Do It
1-10 –The Clovers Ting-A-Ling
1-11 –The Du Droppers - I Wanna Know
1-12 –The 5 Royales - Help Me Somebody
1-13 –The Clovers - Good Lovin'
1-14 –The Orioles - Crying In The Chapel
1-15 –The Coronets - Nadine
1-16 –Clyde McPhatter & The Drifters - Money Honey
1-17 –Billy Ward And His Dominoes - Rags To Riches
1-18 –The Spiders - I Didn't Want To Do It
1-19 –Clyde McPhatter & The Drifters - Such A Night