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The Beatles - Revovler (1966) [24 bit FLAC] vinyl

Genre: Pop/Rock
Styles: Psychedelic, British Invasion
Source: Capitol Records CLJ-46441 US Pressing vinyl
Codec: FLAC
Bitrate: ~ 2,900 kbps
Bit Depth: 24
Sampling Rate: 96,000 Hz

01 Taxman
02 Eleanor Rigby
03 I'm Only Sleeping
04 Love You To
05 Here, There And Everywhere
06 Yellow Submarine
07 She Said She Said
08 Good Day Sunshine
09 And Your Bird Can Sing
10 For No One
11 Doctor Robert
12 I Want To Tell You
13 Got To Get You Into My Life
14 Tomorrow Never Knows

Rip info: (not my rip)

Music Hall MMF2.2 turntable
Benz MC20E2L cartridge
Denon AU300LC step-up transformer
Bellari VP-129 tube phone preamp
M-Audio MicroTrack II recorder
Click Repair 2.1
Adobe Audition 3.0

All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.