Artist...............: Julio Iglesias
Album................: Crazy
Genre................: Pop, Rock, Chanson, Ballad
Source...............: CD
Year.................: 1994
Ripper...............: Exact Audio Copy (Secure mode) & Acer CD-R/RW 4X4X32
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 61 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........: TntVillage

Ripped by............: leonenero on 29/01/2014
Posted by............: leonenero on 29/01/2014
News Server..........: news.astraweb.com
News Group(s)........: alt.binaries.sounds.flac.full_TntVillage

Included.............: NFO, M3U8, LOG, CUE


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Tracklisting
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1 Crazy (Saxophone – Dave Koz) 3:18
2 Let It Be Me (Featuring Art Garfunkel) 3:06
3 Mammy Blue 4:16
4 Fragile (Backing Vocals, Guitar [Lead] Sting) 4:24
5 Guajira / Oye Como Va 3:56
6 When You Tell Me That You Love Me ([Duet] Dolly Parton) 4:00
7 Keep Feeling Myself 4:18
8 Pelo Amor De Uma Mulher (Por El Amor De Una Mujer) 3:53
9 Caruso (Featuring Lucio Dalla) 5:50
10 Song of Joy (With The London Synphony Orchetsra and Ambrosian Singer) 4:35

Playing Time.........: 41.42
Total Size...........: 256,41 MB

The acknowledged king of adult contemporary offers up a CD that is chock-full of feel-good ballads. Whether he's covering Sting or Santana, Iglesias manages to deliver the material with the perfect combination of sentiment and showmanship. Some songs, such as "Crazy," the ballad originally made famous by Patsy Cline, are a little bit too gooey, but others, such as a beautifully arranged version of "Mammy Blue," are just gooey enough. The album is not short on guest stars; Dolly Parton's vocals soar on the duet "When You Tell Me That You Love Me." For the contemporary version of Beethoven's "Ode to Joy," the entire London Symphony Orchestra along with the Ambrosian Singers provide a rousing, festive counterpoint to Iglesias' laid-back lead vocals. There is only one song where collaboration doesn't work perfectly: On the cover of Sting's "Fragile," the writer himself performs lead guitar and backing vocals, making the track sound oddly like a karaoke version with an extremely good studio singer. Overall this album is difficult to fault, though. It is beautifully scored, easily accessible to any listener, and performed to perfection in Iglesias' inimitable style. It's liable to sound familiar from the first time you listen to it; and indeed, even if you haven't heard the CD in its entirety before, you've probably heard most of the tracks on a commercial, a radio station, or a compilation of romantic fireside s