Bach And The High Baroque (Dr Robert Greenberg)

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Bach And The High Baroque (Dr  Robert Greenberg)

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Bach And The High Baroque (Dr Robert Greenberg).torrent
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Uploaded on 23-01-2015 by our crawler pet called "Spidey".
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Description

Written by Robert Greenberg,
Format: MP3

''I would vote for Bach, all of Bach, streamed out into space. We would be bragging, of course.'' Biologist Lewis Thomas, on what message to send to an extraterrestrial civilization

Underappreciated in his own time, Johann Sebastian Bach has ascended to Olympian heights in the estimation of generations of music lovers.

But what is it about his music that makes it great? Composer and musicologist Robert Greenberg helps you hear the extraordinary sweep of Bach's music and understand his compositional language whether you're a devoted admirer or a casual listener.

How Did Bach Become Bach?

Professor Greenberg sets Bach in context by tracing the musical traditions and composers from whom he drew his inspiration, and explaining how Bach absorbed these influences to become the transcendent composer of the High Baroque. According to Professor Greenberg, no other composer is more representative of the period and its aesthetic of emotional extravagance and technical control.

You will also learn how Bach's background at least 42 of his relatives were professionally involved with music and his strong German Lutheran heritage shaped his development as an artist.


32 Lectures
45 minutes / lecture

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Files in this torrent

FILENAMESIZE
L1 - Introduction.mp310.8 MB
L10 - Lutheranism, Part II—The Chorale, The Chorale Prelude.mp311.2 MB
L11 - Bach's Inheritance, Part II—The Development Of Italian Style.mp310.3 MB
L12 - The Italian Style, The Operatic Ideal, And Lutheran Spirituality Are Joined.mp311.2 MB
L13 - Vivaldi, Bach, And The Concerto, Part I—Vivaldi And The Venetian Opera.mp311 MB
L14 - Vivaldi, Bach, And The Concerto, Part II——Vivaldi's Model And Bach, Violin Concerto No. 2 In E Major.mp310.9 MB
L15 - Vivaldi, Bach, And The Concerto, Part II (cont.).mp310.7 MB
L16 - Vivaldi, Bach And The Concerto, Part II—The Concerto Grosso And The Brandenburg Concerto No. 2.mp310.9 MB
L17 - Bach And The French Style, Part I—Dance And The Orchestral Suite.mp310.7 MB
L18 - Dance The Orchestral Suite (cont.).mp310.9 MB
L19 - Bach And The French Style, Part II—The Keyboard Suite.mp310.6 MB
L2 - Christmas, 1772.mp39.2 MB
L20 - The Keyboard Suite (cont.).mp310.9 MB
L21 - Bach And Opera, Part I—Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme.mp310.6 MB
L22 - Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme (cont.).mp311.1 MB
L23 - Bach And Opera, Part II—Opera Buffa and The Secular Cantata, The Coffee Cantata.mp310.7 MB
L24 - Opera Buffa And The Secular Cantata, The Coffee Cantata (cont.).mp311.1 MB
L25 - Bach Transcendent—The Saint Matthew Passion, Part I.mp311 MB
L26 - Bach Transcendent—The Saint Matthew Passion, Part II.mp310.8 MB
L27 - Bach Transcedent—The Saint Matthew Passion, Part III.mp311.1 MB
L29 - Bach Transcendent—The Goldberg Variations, Part I.mp310.9 MB
L3 - Introduction To The Baroque Aesthetic.mp310.6 MB
L30 - Bach Transcendent - The Goldberg Variations, Part II.mp310.7 MB
L31 - Bach Transcendent—The Goldberg Variations, Part III.mp310.5 MB
L32 - Bach Transcendent—The Goldberg Variations, Part IV.mp310.9 MB
L4 - Fugue.mp311.3 MB
L5 - Historical Overview From Constantine Through The Great Thinkers Of The Baroque.mp310.9 MB
L6 - Style Features Of High Baroque Music—A Musical Glossary.mp310.8 MB
L7 - Style Features Of High Baroque Music, Part II—A Musical Glossary.mp310.6 MB
L8 - Style Features Of High Baroque Music, Part III—A Musical Glossary.mp310.2 MB
L9 - Bach's Inheritance, Part I—The Protestant Reformation And The Rise Of Lutheranism.mp310.5 MB

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