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Presenting Artie Cohen, Reggie Nadelson's streetsmart, good-looking New York cop, with a supporting cast that includes Artie's glamorous girl Lily Hanes, and his gnarly superior Sonny Lippert. Russian by birth, Artie has a taste for girls and jazz and a secret past. In Red Mercury Blues he has scarcely returned from a month's leave and thoughts of quitting his job when he becomes involved with a case that drags him painfully back into that past.His investigations take him first into the heart of the Brighton Beach Russian mafia, and then deeper into the terrifying world of atomic smuggling and the secrets of the lethal but elusive substance known as Red Mercury.



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A murder in New York's diamond district; a dead Chinese girl with a photograph in her pocket; a plastic bag of irradiated heroin lying on the mantelpiece in an empty apartment; a fire in a sweatshop in the city's swarming Chinatown; the worst blizzard in New York history...

These events conspire to bring ex-cop Artie Cohen out of retirement and back into an obsessive world of murder and politics that nearly killed him. Artie's struggles to link them take him from New York, his own back yard, to Hong Kong, site of the last big grab on earth, where everything, and everyone, is for sale...



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Reggie Nadelson's acclaimed backlist Artie Cohen novels now published in Arrow

'Cohen is a brilliant creation,' Sunday Times.

As New York basks in a fine Indian summer, no one notices the feral teenagers in Central Park, or the homeless living by the river. Certainly no-one connects them to the Russian gangsters buying into respectability on the East Side, or to the dead Englishman in the swimming pool...

Thomas Pascoe, a super-rich, elderly investment banker, is found gorily murdered on the day he was due to return to London, floating in the pool of the most exclusive apartment block in town. As head of the 'co-op' for the luxury apartments, where the residents own the shares, Pascoe had his say in who got to live in them, and who didn't. Could this be a motive for his murder?

The investigation takes Artie Cohen to London, where the gripping plot unfolds with a series of murders, an encounter with his longtime girlfriend, and a meeting with a...



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Artie Cohen's long-time girlfriend Lily Hanes, has been found beaten up, raped and left for dead in an empty Parisian apartment. In the wintry French capital, where drugs are sold like fries at Macdonalds and the hookers are trucked in with the vegetables, Artie goes after Lily's attackers and finds himself drawn in to a web of sex, death and deceit, struggling with the all-too personal implications of the case as Lily lies in a coma.

A brilliantly concieved plot moves Artie from Paris through Europe to Vienna and then, finally, back to his native New York on a roller-coaster ride where there is no return ticket.



Reggie Nadelson’s new Artie Cohen mystery begins when a jogger finds a kid’s clothes drenched in blood and buried in the half frozen earth near Brooklyn’s Brighton Beach. The action in the story takes place in south Manhattan where Artie lives, an area still traumatized by the loss of the Twin Towers, and coastal Brooklyn — Brighton Beach, all boardwalk, beach and Russians; Coney Island with its wrecked amusement park; and Sheepshead Bay with its inlets and fishing boats.

The plot revolves around the killing of one child and the abduction of another, and the subsequent outbreak of fear. Fear is the real story here. The fear that explodes when two children are involved and still others seem to go missing. The way the city is still locked in the terror that’s never gone away since 9/11. The constant presence of barricades and barriers and soldiers with AKs is part of the New York domestic landscape. It’s also about Artie’s relationship with the Russian community in Brooklyn; the way the story reels him back over and over, the way he can never really escape.



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It's a late summer Sunday in downtown New York City, and Artie Cohen is getting married. Watching the sun rising over the East River, he's content.

A message comes in from an old friend, Sid McKay, asking Artie to come out to Red Hook in Brooklyn. It's his wedding day, but Artie owes Sid, so he goes.

On arriving he finds a dead man spreadeagled in the water off the old docks. When Sid eventually shows up, he's scared, edgy and evasive, Artie suspects he's holding something back.

Even at his own wedding party, later that day, Artie can't stop thinking about Sid. Why has the death of a vagrant spooked him so much? It's not his case, but the more he digs, the more it drags him in, implicating - and threatening - his closest friends...



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With his wife Maxine out of town, Artie Cohen is alone in Manhattan when his nephew Billy Farone is released for a couple of weeks from the young offenders' institution where he has been since he stabbed Heshey Shank to death. Artie is the one Billy wants to come home to, the only person Billy cares about, the man Billy wants to be.

Now a handsome, intelligent and funny boy of fourteen, Billy seems to be cured, to be free of whatever it was - sickness, evil - that made him kill Shank. Artie believes, wants desperately to believe, that Billy is OK. But from the moment a small plane crashes on to the beach at Coney Island, bombs go off in London, and New York is shaken out of the sense that the bad times are over, Artie begins to wonder. There are signs that Heshey Shank's family want Billy locked up for good. And Billy's mother doesn't want him coming home.

Then bodies begin to appear and Artie, up against a brick wall of his own hope and despair, doesn't know what or whom to believe ...



“If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.”—E. M. Forster

Through seven previous novels, Reggie Nadelson has created one of the more memorable characters in detective fiction: Artie Cohen, New York police detective and first-generation American with complex ties to his Russian past, especially his close friendship with the enigmatic and flamboyant New York/London club owner T olya Sverdloff. Now, in Londongrad—by far Nadelson’s most ambitious novel to date—Artie is faced with a murder that strikes at him personally and will ultimately place his best friend’s life in his hands as it challenges his own loyalty.

In a playground in Brooklyn, Artie is led to a dead girl tied up in duct tape on a children’s swing. He soon realizes the killer murdered the wrong girl—the intended victim was Valentina S verdloff, Tolya’s daughter, long adored by Artie. Artie flies to London to tell Tolya and finds himself enmeshed on his friend’s behalf in a maelstrom of Russian money and crime. Like Berlin at the end of World War II, somebody tells Artie, Londongrad, as it’s known, has become an offshore island for the new Russian underworld. Over his head, Artie is drawn further in, to Moscow, where, balancing between the old KGB and the new FSB, between the dazzle and grimness of Russia today, he uncovers a painful truth about his past that puts Tolya’s life in the balance.



Mid-December 2008. Barack Obama has just been elected; all New York is ecstatic, especially Harlem. On a freezing night a few weeks later, detective Artie Cohen gets a late call from his ex girlfriend, Lily Hanes, begging for his help. Lily has been living at the Louis Armstrong Apartments, one of Harlem's great buildings, while working on Obama's campaign; now her Russian neighbor, Marianna Simonova, has died, and Lily fears she's at fault and needs Artie's Russian connections. Over a weekend when the city is locked in by snow and cold, with the financial markets tanking, one after another people at the Armstrong die. Artie, out of his element, a white detective in a black world, is drawn inexorably into the realm of Sugar Hill and the Armstrong, where almost everybody except for the real estate developers seems locked in the past.Working to solve the murders, Artie tries desperately to win Lily back. Blood Count is a murder mystery, a love story, and a tale about New York, race, real estate, money, and music, with an ending one could never predict.