King Crimson - Radical Action to Unseat the Hold of Monkey Mind (2016) [email protected]/* */ Beolab1700

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King Crimson - Radical Action to Unseat the Hold of Monkey Mind
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Artist...............: King Crimson
Album................: Radical Action to Unseat the Hold of Monkey Mind
Genre................: Progressive Rock
Source...............: CD
Year.................: 2016
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: LAME 3.99
Version..............: MPEG 1 Layer III
Quality..............: Insane, (avg. bitrate: 320kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........:

Posted by............: Beolab1700 on 16/09/2016

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Tracklisting
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CD1
1. Larks’ Tongues in Aspic Part One
2. Radical Action (to Unseat the Hold of Monkey Mind)
3. Meltdown
4. Radical Action II
5. Level Five
6. The Light of Day
7. The Hell Hounds of Krim
8. The ConstruKction of Light
9. The Talking Drum
10. Larks’ Tongues in Aspic Part Two

CD2
1. Peace
2. Pictures of a City
3. Banshee Legs Bell Hassle
4. Easy Money
5. Vrooom
6. Suitable Grounds for the Blues
7. Interlude
8. The Letters
9. Sailor’s Tale
10. A Scarcity of Miracles

CD3
1. Red
2. One More Red Nightmare
3. Epitaph
4. Starless
5. Devil Dogs of Tessellation Row
6. The Court of The Crimson King
7. 21st Century Schizoid Man

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Radical Action to Unseat the Hold of Monkey Mind is three-CD culled largely from its 2015 performance in Takamatsu, Japan, with additional material from two nights elsewhere in Japan, as well as including three tracks (“One More Red Nightmare,” a new song introduced in 2015, “Suitable Grounds for the Blues,” and “The Light of Day”) recorded farther afield. Radical Action features every song and piece performed by Pat Mastelotto, Bill Rieflin, Gavin Harrison, Mel Collins, Tony Levin, Jakko Jakszyk and Robert Fripp and as Fripp commented last month while supervising mixing, “This is King Crimson… re-imagined”.

Three themed CDs of material recorded in 2015, each forming a separate discrete performance with audio selected from a variety of shows and fully mixed from multi-track tapes by Chris Porter, Robert Fripp and David Singleton. As no audience is audible between tracks, this allows for a “virtual studio album” effect. (The current King Crimson line-up was deliberately conceived as a performing band rather than as a band concerned with making full studio recordings).

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