Artist: Justin Taylor

Title: La Famille Forqueray: Portrait(s)

Year Of Release: 2016

Label: Alpha

Genre: Classical

Quality: flac 24bits - 96.0kHz + Booklet

Total Time: 01:19:18

Total Size:  1.62 gb



Tracklist

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01. Prélude non mesuré en Ré Mineur

02. Première suite en Ré Mineur: Allemande "La Laborde"

03. Première suite en Ré Mineur: La Forqueray

04. Première suite en Ré Mineur: La Cottin

05. Première suite en Ré Mineur: La Bellmont

06. Première suite en Ré Mineur: La Portugaise

07. Première suite en Ré Mineur: La Couperin

08. Troisième Livre De Pièces De Clavecin, Ordre XVII: La Superbe Ou La Forqueray

09. Suite pour trois violes: I. Allemande (Transcribed for Solo Harpsichord by Justin Taylor)

10. Suite pour trois violes: II. Courante (Transcribed for Solo Harpsichord by Justin Taylor)

11. Suite pour trois violes: III. Sarabande (Transcribed for Solo Harpsichord by Justin Taylor)

12. Troisième livre de pièces de clavecin: La Forqueray

13. Cinquième suite en Do Mineur: La Rameau

14. Cinquième suite en Do Mineur: La Guignon

15. Cinquième suite en Do Mineur: La Léon (Sarabande)

16. Cinquième suite en Do Mineur: La Boisson

17. Cinquième suite en Do Mineur: La Montigni

18. Cinquième suite en Do Mineur: La Sylva

19. Cinquième suite en Do Mineur: Jupiter



Justin Taylor, the winner of the 2015 edition of the celebrated harpsichord competition of the Musica Antiqua Festival in Bruges (which has honoured some of the world’s finest players, including Scott Ross, Christophe Rousset, Pierre Hantaï, Benjamin Alard, and more recently Jean Rondeau), has recorded for Alpha Classics a programme of music by the Forqueray family: Antoine, Michel, Jean-Baptiste, Nicolas-Gilles . . . Those are just some of the first names of a great dynasty of French composers, gambists and organists. Antoine Forqueray, born in 1672, obtained the highly coveted position of Musicien de la Chambre du Roi. He subsequently had, shall we say, a complicated relationship with his son Jean-Baptiste, born in 1699 . . . Envious of the boy’s talent for the viol, Antoine had him imprisoned when he was just sixteen years old! The recital, as well as painting a musical portrait of this unique family, also offers a chance to reflect on the issue of transcription. In fact, the suites performed here on the harpsichord were originally written for viola da gamba. The passage from one instrument to another, from one soundworld to another, sheds new light on the music and allows us to grasp its full originality.



Previously uploaded at Demonoid.