The Beatles-Rooftop Concert-Live 1969-Concert DVD{DPLII384kbs}

50 Year Anniversary-30 January 1969



DVD Quality: Fair

Audio Qality: Great

Audio Encoded using Dolby Pro LogicII 384kbs

All Live Video Audio's 320kbs MP3 included



SETLIST:

Get Back (five versions)

I Want You (She's So Heavy)

Don't Let Me Down (two versions)

I've Got A Feeling

One After 909

Danny BoyDig A Pony (two versions)

God Save The Queen

A Pretty Girl Is Like A Melody

Brief, incomplete and off-the-cuff versions of I Want You (She's So Heavy), God Save The Queen and A Pretty Girl Is Like A Melody were fooled around with in between takes - as was Danny Boy, which was included in the film and on the album. None of these were serious group efforts, and one - the group and Preston performing God Save The Queen - was incomplete as it coincided with Alan Parsons changing tapes.



**Extras:

The Beatles-Revolution-Live Studio

John Lennon-Eric Clapton-Keith Richards-Mitch Mitchell-Live

The Beatles-Let It Be-Live 1970 Studio

The Beatles-Don't Let Me Down-Live-Rooftop-720p

The Beatles-Rain-Live Studio

The Beatles-You're Going To Lose That Girl-Live Studio 



For:

BC,

Josh, The biggest Beatles fan, who gave me the inspiration for my original upload.



Thank You! Be sure to use a good VPN, Protect yourself and PLEASE seed back..If you like it, share it, it's yours...  

Mi Casa es Su Casa

{DPLII384kbs}:

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This Concert is in my opinion the Greatest Concert of all time, even besting Woodstock 69. 



The Beatles, with Billy Preston, 

gave their final live performance atop the Apple building at 3 Savile Row, London, in what became the climax of their Let It Be film. 30 January 1969 in London was a cold day, and a bitter wind was blowing on the rooftop by midday. To cope with the weather, John Lennon borrowed Yoko Ono's fur coat, and Ringo Starr wore his wife Maureen Starkey's red mac. The Beatles' rooftop show began at around midday. The timing coincided with the lunch hour of many nearby workplaces, which led to crowds quickly forming. Although few people could see them, crowds gathered in the streets below to hear The Beatles play. The final full song was Get Back, although The Beatles nearly stopped performing when the police arrived on the roof. The officers demanded that Mal Evans turn off the group's Fender Twin amplifiers. He complied, but Harrison immediately turned his back on. Evans realised his mistake and turned Lennon's back on too. The amplifiers took several seconds to start again, but The Beatles managed to continue long enough to see the song through to the end. As a climax that could scarcely be bettered, with The police eventually make their way to the roof and try to bring the show to a close, as the show was disrupting businesses' lunch hour nearby. This prompts some perfect ad-libbed lyrical asides from McCartney: during the second performance of 'Get Back,' he sings, "Get back, Loretta ... you've been out too long, Loretta ... you've been playing on the roofs again ... and your mummy doesn't like that ... it makes her angry ... she's gonna have you arrested! Get back, Loretta!". In response to the applause from the people on the rooftop after the final song, McCartney says, "Thanks Mo!" (to Ringo's wife Maureen) and Lennon quips, "I'd like to say 'thank you' on behalf of the group and ourselves, and I hope we passed the audition!"  Both these comments were used at the end of Get Back on the Let It Be album, although the version of the song was not from the rooftop performance.

Sidenote: Mal Evans The Beatles Roadie, that held off the police during this concert and was with The Beatles from the beginning, was shot dead by the police  in approx. 1974  /;=[



Apple Studios, Savile Row, London 

Producer: George Martin

Engineer: Glyn Johns 



Dave Harries, engineer

"There were people hanging off balconies and out of every office window all around. The police were knocking on the door - George Martin went white! We really wanted to stop the traffic, we wanted to blast out the entire West End"



George Harrison: "We went on the roof in order to resolve the live concert idea, because it was much simpler than going anywhere else; also nobody had ever done that, so it would be interesting to see what happened when we started playing up there. It was a nice little social study.We set up a camera in the Apple reception area, behind a window so nobody could see it, and we filmed people coming in. The police and everybody came in saying, 'You can't do that! You've got to stop.'"



Ringo Starr: "There was a plan to play live somewhere. We were wondering where we could go - 'Oh, the Palladium or the Sahara.' But we would have had to take all the stuff, so we decided, 'Let's get up on the roof.'  We had Mal and Neil set the equipment up on the roof, and we did those tracks. I remember it was cold and windy and damp, but all the people looking out from offices were really enjoying it."



Paul MccArtney: "It was good fun, actually. We had to set the mikes up and get a show together. I remember seeing Vicki Wickham of Ready, Steady, Go! on the opposite roof, for some reason, with the street between us. She and a couple of friends sat there, and then the secretaries from the lawyers' offices next door came out on their roof. We decided to go through all the stuff we'd been rehearsing and record it. If we got a good take on it then that would be the recording; if not, we'd use one of the earlier takes that we'd done downstairs in the basement. It was really good fun because it was outdoors, which was unusual for us. We hadn't played outdoors for a long time. It was a very strange location because there was no audience except for Vicki Wickham and a few others. So we were playing virtually to nothing - to the sky, which was quite nice. They filmed downstairs in the street - and there were a lot of city gents looking up: 'What's that noise?'"



Alan Parsons: "That was one of the greatest and most exciting days of my life. To see The Beatles playing together and getting an instant feedback from the people around them, five cameras on the roof, cameras across the road, in the road, it was just unbelievable."



Rooftop Video Encode:

Frame Width: 1280

Frame Height: 720

Total Bitrate: 2296kbps

Frame Rate: 29.97 FPS



Audio Encode:

AAC

Bit Rate: 288kbps

Max Bit Rate: 338kbps

Channels 2 (stereo)

Audio Sample Rate: 48 khz



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https://www.facebook.com/RTTurner5378-on much needed vacation for now /;=]