Artist: Clean Bandit

Title: What Is Love?

Year Of Release: 2018

Label: Warner Music Japan / Atlantic

Genre: Electronic, Indie Pop

Quality: 320 (artwork)

Total Time: 1:05:02

Total Size: 209 MB





Tracklist:



1. Symphony (feat. Zara Larsson) (3:33)

2. Baby (feat. Marina and The Diamonds & Luis Fonsi) (3:42)

3. Solo (feat. Demi Lovato) (3:42)

4. Rockabye (feat. Sean Paul & Anne-Marie) (4:12)

5. Mama (feat. Ellie Goulding) (3:10)

6. Should've Known Better (feat. Anne-Marie) (3:35)

7. Out at Night (feat. Anne-Marie) (3:55)

8. Last Goodbye (feat. Tove Styrke & Stefflon Don) (3:20)

9. We Were Just Kids (feat. Craig David & Kirsten Joy) (3:29)

10. Nowhere (feat. Rita Ora & KYLE) (3:46)

11. I Miss You (feat. Julia Michaels) (3:26)

12. In Us I Believe (feat. ALMA) (3:28)

13. 24 Hours (feat. Yasmin Green) (3:03)

14. Playboy Style (feat. Charli XCX & Bhad Bhabie) (3:40)

15. Beautiful (feat. DaVido & Love Ssega) (3:44)

16. Tears (feat. Louisa Johnson) (3:52)



Japanese Bonus Tracks



17. Rather Be (feat. Jess Glynne) (3:48)

18. I Miss You (Piano version) (feat. Julia Michaels) (3:38)





When they’d done asking their old advert mucker Cortana – Microsoft’s basic bitch version of Alexa – what she was wearing, Clean Bandit might well have made their long-awaited second album simply by asking their phone what love is. It is, according to What is Love?, a shallow, algorithm-friendly array of synthetic pop devotion featuring Rita Ora, Sean Paul, Demi Lovato and Ellie Goulding, half of which has been streamed, synced and saturated to high heaven already.



Reflecting modern pop’s reversal to pre-rock’n’roll tactics of albums as glorified single compilations, What is Love? is awash with ready-made hits. There are three overplayed rave-pop number ones stretching back to 2016 (“Rockabye”, “Symphony”, “Solo”), one top five (“I Miss You”) and Marina Diamandis’s sumptuous Latino crackler “Baby”, the album’s only standout and a surprise semi-flop considering Despacito’s Luis Fonsi sambas into view for verse three.



It’s to Clean Bandit’s credit that they don’t pad out the rest of the record with glorified remixes – the remaining tracks draw solid guest vocalists and bolster the album’s loose concept of cataloguing love’s broad range: blooming, familial, failing, frustrated. Word is Elton’s contribution missed the cut, presumably because he was singing about the common fisheries policy or something.